168极速赛车在线开奖官方开奖记录 168极速赛车开奖记录 George Clooney's "The Boys in the Boat" uses ALFA anamorphics
168极速赛车官方开奖 1分钟极速赛车开奖记录查询 Cinematographer Martin Ruhe ASC on his creative approach to telling the back story of America's entry in the eights rowing race at the 1936 Berlin Olympics.
Jo Willems ASC, SBC on “The Hunger Games: The Ballad of Songbirds & Snakes”
DP Jo Willems uses ARRI ALEXA Mini LF cameras, Signature lenses, and the HEXATRON crane vehicle on the fifth “Hunger Games” film, serviced by ARRI Rental.
推荐一个168极速赛车在线开奖官方直播 168官网极速赛车官方开奖号码查询 Director/cinematographer Alfonso Cuarón
168极速赛车开奖官网 一分钟极速赛车官方开奖结果 168赛车-168极速赛车是一款免费在线彩票信息查询工具 ARRI (Rental) from the moment that we talked to them...they became one of our strongest allies in moving forward with the project.
Cinematographer Stuart Dryburgh ASC
I've worked with ARRI Rental a lot...I'm always made very welcome and always well supported.
Cinematographer Adam Newport-Berra
Most if not all of the films I've done have been with ARRI Rental; they've been so supportive of my work, both logistically and creatively.
Cinematographer Newton Thomas Sigel ASC
We designed a reverse optics lens for one sequence, which worked stunningly well. I can't say a bad word about the ARRI Rental team.
Cinematographer Richard Rutkowski ASC
The people at ARRI Rental are as dedicated as filmmakers...they think about things in the creative sense, not just the financial sense.
